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Henry Ossawa Tanner Defied Convention in His Biblical Art

C.S. Voll
8 min readMay 5, 2025

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A man with a goatee and glasses stares intensely at us. In the background, there’s a painting of a woman sitting next to a swaddled baby with a golden halo.
Background painting: “La Sainte-Marie” painting (1898) by Henry Ossawa Tanner. From (Public Domain). Foreground: Photographic portrait of Henry Ossawa Tanner (circa 1909). From (Public Domain). Edited by the author.

Art has long been a way for people to make sense of the world. In religion too, believers have often turned to visual representations to portray their religious experiences, be it in literal or symbolic form. Representations of biblical scenes remained popular because they gave the viewer, who might have been illiterate, a new perspective.

Each artist also brought something of themselves to their representations. Henry Ossawa Tanner would bring his own experiences of growing up as a Black man after the Civil War to the easel. Through his skill, he synthesized various influences to create something new in the genre of religious art.

Life in a city of brotherly love

The year 1859, when Sarah Tanner (née Miller) gave birth to her son Henry, was a time of tension in the USA. Over the last couple of years, pro-slavery and anti-slavery Americans had clashed in various regions, including in so-called frontier areas like Kansas. Sarah herself had escaped enslavement, after which she attended Avery College, where she met Benjamin Tanner, her future husband.

Teatime History
Teatime History

Published in Teatime History

Teatime History is your one stop destination for a better understanding of human history. Let us debunk myths, examine the legends of the past, and explore the innovations which have transformed our lives.

C.S. Voll
C.S. Voll

Written by C.S. Voll

A scholar and writer wearing many ill-fitting hats, trying to do the best he can with what he has. Somehow got a PhD while studying ancient propaganda.

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