InFull FramebyDirk DittmerBeyond the valley of ISO 100In the digital age, I always push analog filmMay 5A response icon9
InFull FramebyDirk DittmerWhen I left the rangefinder cameraand succumbed to modern electronicsApr 17A response icon10
InFull FramebyDirk DittmerThe Magic of the Leica PopHow to achieve a similar effect with mere mortal camerasMar 14A response icon17Mar 14A response icon17
InFull FramebyDirk DittmerConfessions of a RAW shooterSeven reasons why I came to live without JPG.Mar 6A response icon19Mar 6A response icon19
InFull FramebyDirk DittmerAgfa APX 100 film is as linear as a digital sensor and perfect for post-processingFun with shooting a “budget” film stockFeb 8A response icon16Feb 8A response icon16
InFull FramebyDirk DittmerBeyond the valley of ISO 100In the digital age, I always push analog filmMay 5A response icon9
InFull FramebyDirk DittmerWhen I left the rangefinder cameraand succumbed to modern electronicsApr 17A response icon10
InFull FramebyDirk DittmerThe Magic of the Leica PopHow to achieve a similar effect with mere mortal camerasMar 14A response icon17
InFull FramebyDirk DittmerConfessions of a RAW shooterSeven reasons why I came to live without JPG.Mar 6A response icon19
InFull FramebyDirk DittmerAgfa APX 100 film is as linear as a digital sensor and perfect for post-processingFun with shooting a “budget” film stockFeb 8A response icon16
InFull FramebyDirk DittmerFinding Realism in AtlantisStreet photography during a resort holidayJan 2A response icon16
InFull FramebyDirk DittmerChanneling my inner Ansel AdamsHow black and white photos make the best Mountain VistasDec 7, 2024A response icon18
Øyvind NordhagenLeica colors are a myth –your Fujifilm can do it tooI have gotten a lot of questions about “the Leica look” on Fujifilm files ever since I started publishing Fujifilm recipes. Let’s explore…Apr 5A response icon4
