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BEYOND ‘DEEP THROAT’

How Good Sources Help You Sell Your Stories To Editors And Readers

5 ways to choose the right ones and avoid getting burned by AI or other tools that can lead you astray

6 min readApr 21, 2025

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Robert Redford and Carl Bernstein in “All the President’s Men”
Robert Redford and Dustin Hoffman as Bob Woodward and Carl Bernstein, who called an anonymous source “Deep Throat” / Sony Pictures

Not long ago, I picked up a new book about miscarriages, trying to decide whether to review it, when a single line reduced its chances to near zero. Until then, the book had a lot going for it: It came from a major publisher, it dealt with an important topic, and its author had solid credentials.

Then I read this line: “According to Goop, one in four known pregnancies end in miscarriage.”

That may not have been the single worst use of a source I’ve seen in years as a staff and freelance book critic. But if it wasn’t, it was close.

Well before the book appeared, Gwyneth Paltrow’s controversial lifestyle company had paid $145,000 to settle brought by California district attorneys who said it made unsubstantiated medical claims for its products. Why did the author cite a statistic on miscarriages from such an iffy source when more reliable ones were readily available online from medical societies, academic researchers, or government health agencies?

Lit Life
Lit Life

Published in Lit Life

Book news, reviews and more from an award-winning critic

Janice Harayda
Janice Harayda

Written by Janice Harayda

Critic, novelist, award-winning journalist. Former book editor of the Plain Dealer and book columnist for Glamour. Words in NYT, WSJ, and other major media.

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