Published inThe DISCO blogHow Tiger Bomb Promo Uses DISCO to Simplify Radio ServicingTiger Bomb Promo talks about giving radio everything they need in one place.Jul 12, 2023Jul 12, 2023
Published inThe DISCO blog8 insider tips from music supervisor Ryan Svendsen to boost your chances of being heardMusic supervisor Ryan Svendsen gives his tips for getting the best results when pitching music to supervisors.May 9, 2023A response icon1May 9, 2023A response icon1
Published inThe DISCO blogHow to build an EPK that stands outHaving a clean, aesthetically pleasing EPK is key to promoting your artist or release. Here’s how to make one that stands out.Mar 9, 2023Mar 9, 2023
Published inThe DISCO blogA day in the Life of SLAM! Radio’s Music DirectorWe spoke with SLAM’s Music Director Anton van Lieshout about what his job entails, the challenges he faces, how he stays on top of new…Aug 25, 2022Aug 25, 2022
Published inThe DISCO blogFinding the GLOW soundComposer Lara Meyerratken shares what it was like scoring Netflix’s cult-classic, GLOW.May 26, 2022A response icon2May 26, 2022A response icon2
Published inThe DISCO blogCollaborating with creatives: Becca Gatrell on how the music of Feel Good was curatedWe talk with music supervisor Becca Gatrell about how the music for Netflix drama ‘Feel Good’ came together.May 2, 2022May 2, 2022
Published inThe DISCO blogAn A&R’s Guide to SXSWSXSW is back! We speak to three A&Rs about how to get the most out of your SX.Mar 14, 2022Mar 14, 2022
Published inThe DISCO blogCrafting the perfect soundtrack for Emmy-winning Halston: An interview with Amanda Krieg ThomasHow the music came together for Halston, the Emmy-winning Netflix show about the infamous designer.Jan 26, 2022Jan 26, 2022
Published inThe DISCO blogHow Deutsch LA’s Music Director saved days worth of time with DISCOChip Herter shares how he manages high volumes of music files and streamlines his process for breakneck turnaround timesNov 23, 2021Nov 23, 2021
